literary essays about art for art's sake

with the circle around Stéphane Mallarmé. After the Pre-Raphaelites: art and aestheticism in Victorian England. 6 Walter Benjamin discusses the slogan in his seminal 1936 essay " The Work of Art in the Age of Mechanical Reproduction." He first mentions it in regard to the reaction within the realm of traditional art to innovations in reproduction, in particular photography. Given that it does not, and that art is entangled in all kinds of partisan issues, most now believe that making aesthetic value judgements - declaring one work of art to be better than another - is almost impossible. He even terms the "L'art pour l'art" slogan as part of a " theology of art" in bracketing off social aspects. It teaches that judgements of aesthetic value should not be confused with those proper to other spheres of life. See also Critical theory Walter Benjamin Notes Edgar Allan Poe. Nocturne in Black and Gold: The Falling Rocket (1874). Englewood Cliffs, NJ: Prentice-Hall.

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Rivera goes on to say that since one of the characteristics of so called "pure art" was that it could only be appreciated by a few essay on spiderman 2 superior people, the art movement would strip art from its value as a social tool and ultimately make art. These progressive modernists adopted an antagonistic attitude towards society and came to be characterized as the avant-garde, those who stood at the forefront of a new age of art and culture. It opened the way for artistic freedom of expression in the Impressionist movement and modern art. Oscar Wilde; a collection of critical essays. The phrase was taken up by writer Theophile Gautier and subsequently attracted the support of figures such as Gustave Flaubert, Stéphane Mallarmé and Charles Baudelaire. The idea that art should not be judged by other criteria, such as religion or politics, has inevitably attracted occasional opponents who either wished it to support a particular cause, or refrain from expressing particular views. ;.52 External links edit. In many cultures, the making of artistic images was a religious practice. Nocturne in Black and Gold, often emphasized these formal qualities, over and above the ostensible subject of the picture, which in this case is a fireworks display on the River Thames in London. Increasingly, artists sought freedom not only from the rules of academic art, but from the demands of the public, and claimed that art should not be produced for the sake of the public but for its own sake.