work in part did represent this approach were Benni Efrat, Buky Schwartz, Michael Gitlin, and others. Michal Na'aman, who created collages and other conceptual art in the 1970s, moved to large scale paintings with psychological and psychoanalytic overtones. The sculpture harked back to the earlier cultures of the Assyrians, the Egyptians, and the Greeks, while at the same time it showed similarities to the European sculpture of the time. Abstract art after New Horizons edit During the 1950s, 1960s and 1970s, the work of the New Horizons group influenced new artistic trends get my paper online in Israel. 53 Ginton claimed that these political expressions, which increased in intensity after the political and social crisis that followed the Young Kippur War, continued until the 1980s, at which time most artists abandoned these subversive artistic practices and returned to more traditional artistic activity.
For documentation on the varied sculptural activities of Tumarkin, see: Yigal Tumarkin, Wood, Stone, and Cloth in the Wind (Masada Publishers, Tel Aviv, 1981). Ellen Ginton, "The Eyes of the State: Visual Art in a State Without Borders" (Tel Aviv Museum, Tel Aviv, 1988). In works such as "Temple Mount" (1995) or "Country" (2002 Sigalit Landau created environments rich in objects with an expressive appearance that reflected her interest in transitional situations and in social-political criticism. Moshe Gershuni called a meeting of the kibbutz members and handed out the soil of Kibbutz Metzer to them there, and Avital Geva created in the area between the two communities an improvised library of books recycled from Amnir Recycling Industries. Mordechai Ardon, head of Bezalel, wrote in 1954, "Every artist, like every citizen, must serve his country in heart and in soul". In "Performance in a Political Camp in Jericho which took place on February 10, 1974 in the northeast section of the city of Jericho near Khirbat al-Mafjar (Hisham's Palace Cohen created a link between his personal experience as an immigrant and the experience of the. Michal Neeman, "Kindly Don't Read What's Written Here 2, 1999,. In this way Tumarkin sought to sharpen the focus of his political protest against what he saw as the one-sided approach of Israeli society toward the Arab-Israeli conflict. For example, his painting "Gate of Light" (1953 shows the tree of life, a symbol of great Biblical and Kabbalistic meaning, within a surrealistic landscape reminiscent of the work of Paul Klee and others. 8 In the art created in Bezalel during this period Jewish and religious motifs dominate, for example, descriptions of the holy places, scenes from the Diaspora, etc. Although "10" officially disbanded in 1970, the members of the group carried on its spirit and its style, uses of rainwater essay taking their final form from a group that revolved around the art school "The College" (ha-Midrashah). In his notes on painting he says that light and shade should blend "without lines or borders, in the manner of smoke.